Friday, July 2, 2010

Thank you James Burton for the tickets to Crossroads!


I wish John Rowlands, my photographer buddy of ( http://www.spotlightheroes.com ) could have been present to utilize his ticket! Instead he passed them along to me through his contact Mr. James Burton of ( http://en.wikipedia.org/wiki/James_Burton ) & ( http://www.james-burton.net/portal/index.php )

James Burton (born August 21, 1939, in Minden, Louisiana) is an American guitarist. A member of the Rock and Roll Hall of Fame since 2001[2] (his induction speech was given by longtime fan Keith Richards), Burton has also been recognized by the Rockabilly Hall of Fame. Critic Mark Demming writes that "Burton has a well-deserved reputation as one of the finest guitar pickers in either country or rock ... [Burton is] one of the best guitar players to ever touch a fretboard."[3]

James Burton is also known as the Master of Telecaster.

Since the 1950s, Burton has recorded and performed with an array of notable singers, including Bob Luman, Dale Hawkins, Ricky Nelson, Elvis Presley, Johnny Cash, Merle Haggard, John Denver, Gram Parsons, Emmylou Harris, Jerry Lee Lewis, Claude King, Elvis Costello, Joe Osborn, Roy Orbison, Joni Mitchell and Allen "Puddler" Harris.

Thursday, June 3, 2010

JYPSYEYE lands in the Top 5 Overall with Eric Claptons Cross Roads Festival / Ernie Ball's Play Crossroads Contest !




So.... the long, long, long ride that was the Playcrossroads.com Contest started for me on April 13 & is over with awesome results! The new web page and all new marketing approach going into effect. What was stunning was to learn it was already a month in having started March 15th, 2010 and that if I was going to place anywhere in the grand scheme of things I needed to get my people together. Looking into the 9,300 people on Myspace that were completely ineffective in hind site, and looking at the then 750+ people I had on Facebook in need of personal pruning...collectively there was around 10,000 people out there within my broadcasting spectrum. The likelihood I was going to gain a huge wave of support quickly was laughable. Ultimately, I saw who I could potentially ask for support in this venture of candidacy to play Crossroads Festival.

The best part is that it worked!!! The people that supported this effort know the details of the day in and day out vote number challenges. To have raised awareness and achieved #5 OVERALL after starting a month later was HUGE. The other great part was what happened today. I received an email from the Ernie Ball Artist Relations & Event Marketing Director.

There is a happy ending..


From Ernie Ball Artist Relations & Event Marketing.... Kevin Scoles ladies and gentleman.


Hi Stefen,

Thanks for writing in and voicing your concern. My name is Kevin Scoles and I work in A/R as well as handle a lot of our event marketing here at Ernie Ball. First things first you did a great job in the contest and we truly enjoyed your playing. In fact you were one of our top 5 picks as we narrowed down the contest. Our plans were to send out a free box of strings to all of the top 5 finishers as a thank you for entering the contest. We would love nothing more to be able to send all of you guys out to Chicago, because all were great musicians and well deserving.

Most Sincerely,

Kevin

-Artist Relations/Event Marketing

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I've got an inside scoop to share with you all.. It is 98% likely I will be sending you photos and footage from Crossroads Festival this year! As the event draws near and the ticket hits my hand I will be informing you of more. Even though I may not be getting to play right now on a B Stage aside of the main stage through Ernie Ball's stage..
It's ON even though I didn't get the one spot!


One one last note it was a nice touch to make the top 4 which we had done once before, we really seemed to live in 5th & 6th place with the amount of votes we were getting on average. The support that came in from adding a few more players to the bill was the difference. They came into it and brought their supporters in as well and we increased the vote!





NEW JYPSYEYE.COM !

The 6TH draft will be minus the text of course. Now that the button & voting messages have been removed turning the attention to the repositioning of links. At this time I am signed up for a day class on Adobe Dream Weaver so some changes will come in time. Nich Melton really did a greeeeaaaat job on rending into one framework all roads that could lead out from one solid location.

http://www.JYPSYEYE.com

Here is our present 5TH version serving nicely at this time with the Congratulatory Message to this years Crossroads Winner.



Thank you Nich Melton for the redesign that was timely and a long time coming. We got all the JYSYEYE information up in the midst of competing for the Playcrossroads.com Contest! We are fully linked and integrated through my sponsor Spruce Hill Guitars as well as Twitter, Facebook, YouTube, ReverbNation, Myspace, Blogger (you are here), DIGG, LinkedIN & FlickR !

JYPSYEYE.com was established in 1996 and has went live with it's first new complete web integration May 17th, 2010!



Here are a few previous versions that were created in the midst of the JYPSYEYE candidacy to for the Eric Clapton Crossroads Festival - Ernie Ball Play Crossroads Contest.

Here is the 4RTH


The 3RD



This is the 2ND




This was the 1ST version drafted the beginning weeks of May 2010. Note: The Play Crossroads section outside the frame switched between two panels messaging "Ernie Ball Play - and the second CROSSROADS.

Wednesday, February 17, 2010

2010 is here...


Time to get rollin' here again!


Thursday, December 18, 2008

My Chess Records Story, hired in the office of Leonard Chess by Willie Dixon's son Butch to rebuild Chess's famous studio.

I was hired in this very office, the office of the Leonard Chess. Willie Dixon's son offered Stefen an opportunity he could not turn down. He even conceded to let me PLAY Stevie Ray Vaughan's guitar at a future concert date, BY HANDSHAKE! You can call that more fuel for the blues!


http://www.ci.chi.il.us/Landmarks/C/Chess.html


Late winter of early spring of 2002. Willie Dixon's son (Butch) was a body guard on music video set's for Do Or Die where Butch and I first met and we got along famously. He remembered how Stefen was involved building Neighborhood Watch Records Studio and wanted to hire him stating he was friends with the owner of Guitar Center Co. and they had given him a recording console. I had no idea he was Butch Dixon, as in Willie Dixon's son.



When I got out to Seattle and had been living with Leon Hendrix and his lady Jasmine long enough I had something to talk about with my music friends back in Chicago, I called Butch.


We hadnt parted on the best of terms. I took it really hard that he was giving me reasons why he couldnt hire me to do the studio saying that I might get signed while I was doing all the sessioning and not get the studio done. I told him, "Butch, nobody is breaking my door down to sign me, I need the job man... you gave me money already to start!". He told me to let me down easy he was going to hook me up with producer Don Was (Rolling Stones producer + many more) since he was flying in that week. Well, Don didnt make it in and the whole thing just went by. I didnt let it get by, I was hot! I called Butch and told him I didnt appreciate having my time wasted for two weeks, being left in front of the studio in my van for three days being stood up. Butch straight up pissed me off. If was a difficult transition to go through since we were so cool with one another and then when he asked me into his inner circle to do work I got ran around.

It turned out his sister Shirley Dixon was more in charge of the studio and Butch was trying to play his cards out in a scenario that would incorporate me into the mix by virture of the the studios console being installed and "Chess Records Studio" coming to life again.


So, yea, I called Butch that Spring of 2005 and chatted with him for about 10 minutes, he was on the road with Twista (local rap legend in Chicago who went on to become bigtime). Butch told me to call him back the middle of the week and we would catch up, I was excited he was security for Twista and he was inquisitive as to what I was doing in Seattle with my guitar and the Hendrix family. Within less that 48 hours of them doing the show in NYC and driving back to Chicago, Butch was thrown from Twista's van and killed when it hit the soft shoulder of the road. I was and still am in shock over having just gotten my last words in with someone who was about to leave the Earth, let alone a music friend.


I will never forget the years it took to meet Butch and finally learn of his real identity when he asked me to help him build Chess Records Studio again and offered me Stevie Ray Vaughan's strat for an upcoming JYPSYEYE concert.

I take with me the memory of Butch, my friend Brad Kelly of BIG BULLY PROMOTIONS in Chicago who was there and witnessed the entire development of all the times I met and worked with Butch as he was a middle man some of how it all came together. R.ock I.n P.aradise Butch Dixon.

The Yngwie Malmsteen Tribute Series Fender Stratocaster









"I am a lifer in the area of playing scalop fret necks now. Back in May of 2004 when I obtained the YM Strat that Fender Custom shop set aside for Yngwie to play at the NAMM show in 1998, I purchased it on Ebay for $1200.00 wanting to increase my string guage, increase my fret size and relieve myself of having my fingers touch the fretboard ever again. I aim to get Guild Jumbo body 12 strings in the future with the same scalop neck treatment custom filed. Its exciting to see Fender get behind Yngwie's guitar model every year in a new way as it means all the more necks produced by Fender so that I can keep buying them and swapping out all the guitars I have for scalop fret necks. Ive had to spend as high as $750.00 and as little as $500.00 for these prized items when separated from and Yngwie body by Ebay vendors. For nearly 3 years I searched ever couple days for these necks on Ebay! Oddly enough, when building my "birthday strat", a 1973 body with a 1996 Yngiwe neck, after recieving it I later saw stamped on the heel that it was made 11-12-1996! On my birthday the year I recorded with Jimi Hendrix, Zeppelin, Beatles, Woodstock engineer Eddie Kramer, a year that single handedly changed my life, the year I bought that 1973 body..... I finished that guitar in 2004 when I moved to Seattle to work with Leon Hendrix. I love my Yngwie necks! Yes, I am a full on stratogeek." ~Stefen Isaac





Yngwie Malmsteen Tribute Series Stratocaster!Famous “Play Loud” guitar replica released along with new album.



The Yngwie Malmsteen Tribute Series Stratocaster sees the 100-instrument limited edition release of the eagerly awaited Fender Custom Shop Yngwie Malmsteen Tribute Series Stratocaster (“Play Loud”) guitar replica. The instrument is a meticulous recreation of the infamous and battle-hardened 1971 Stratocaster guitar that fueled Malmsteen’s meteoric rise to metal stardom, complete with heavily worn Olympic white finish, scalloped fingerboard and distinctive body graphics. Malmsteen was one of the very first Fender signature artists; a Stratocaster bearing his name appeared in 1988, the first year that Fender offered artist signature guitars. The original on which Malmsteen's new Tribute Series Stratocaster is based is a highly significant instrument in the annals of metal and of instrumental rock music. The replica is authentic in nearly every detail, including the famous "Play Loud" sticker on the upper horn and the distinctive scalloped maple fingerboard. Like the original, it features DiMarzio® HS-3 pickups in the bridge and neck positions and a standard '70s-era Fender middle pickup. It has a standard Fender bridge, a large headstock and a heavily worn Olympic White finish expertly treated to mirror each of the original guitar's many battle scars—the nicks, dings, scratches, burns and worn finish spots from decades of heavy use (and abuse) in Malmsteen's masterful hands. Malmsteen need no introduction to shred fans, of course. He rose to fame in the early 1980s as the phenomenally talented and flamboyantly theatrical sole progenitor of “neoclassic” metal. Live and on record, his classically inflected guitar chops dazzled all who heard him. His phenomenal playing proved highly influential and served as the foundation for an entire new metal sub-genre. Several of his many albums are considered metal classics, including Rising Force (1984), Marching Out (1985), Fire and Ice (1992) and Unleash the Fury (2005). The guitar's debut was timed to roughly coincide with that of Malmsteen's latest album, Perpetual Flame, released Oct. 14, 2008, on Malmsteen’s own Rising Force Records.

Tuesday, December 16, 2008

TREMORS~! Finally GIBSON GUITARS add's on a tremolo!


Spotlight On the Les Paul Axcess Standard
12.04.2008

The Les Paul Axcess Standard from Gibson Custom carries all the elegant styling, fluid body lines and rocking attitude of a classic Les Paul Standard from the golden era of the late 1950s. Upon closer examination, however, you’ll find many substantial modifications made in the name of maximum playability and versatility.



As Gibson Custom Operations Manager Michael McGuire puts it, “Everything about this Les Paul has been designed to make it a player’s ‘player’s guitar.’ From the easy access to its upper range to the comfortable belly scarf to the Floyd Rose vibrato, this instrument was made to give you optimum performance.”

Distinctive Floyd Rose VibratoThe most noticeable addition is the Floyd Rose tailpiece, a unit optimized for anything from subtle vibrato wobbles to dramatic, rumbling divebombs. Adding a Floyd Rose to a Les Paul in the past was always a major undertaking, and one that could seriously damage the stability of the instrument if not done right. On the Les Paul Axcess the vibrato is installed right at Gibson Custom as part of the manufacturing process, which means this potent piece of high-performance hardware interacts seamlessly with the design of the guitar. Partnered with an R4 locking nut, it also guarantees outstanding tuning stability and return-to-pitch accuracy.

Contoured Neck for Upper Fret Access Take the instrument in hand and run your fingers up the neck and you’ll encounter the clever structural alteration that gives this new model its name: While the Axcess sports what looks from the front to be a traditional Les Paul neck joint, the neck heel and portions of the back and neck joint at the upper cutaway have been contoured to provide a “heelless” feel, and an unimpeded reach right up to the 22nd fret. No more stretching against the traditional neck heel to achieve the upper-fret access that your lead style demands — the Axcess gives you that legendary Les Paul playability all the way up the neck, welcoming you to take it right over the top.

Comfortable Ribcage ContourTo further enhance playing comfort, this smoothly carved neck joint is combined with a “belly scarf” (aka ribcage contour) that allows the body of the guitar to hug closely to your own body in the playing position without digging in.
Refreshingly Light Body StyleThe Les Paul Axcess’s slightly thinner body, made from weight-relieved mahogany (with carved maple top), gives you an instrument that is refreshingly light and a pure joy to play, either strapped on or in a seated position.


Optimum Tone SetupThe Les Paul Axcess Standard is also geared toward optimum tone, as you’d expect from any Gibson Custom creation. Exposed-coil BurstBucker 1 and BurstBucker 2 pickups in the neck and bridge positions — the most accurate reproduction vintage-PAF-style humbuckers Gibson has ever offered — yield everything from warm, fluid vocal tones to fat, sweet growl, while an added push/pull switch on the treble Tone knob provides coil splitting for accurate single-coil tones. These unique tonal combinations excel at delivering everything from singing classic rock lead tones to contemporary crunch to extremes of twang and jangle. Even the pure-nickel wound .10-.46 Gibson Vintage Strings it ships with contribute toward its rich, textured voice.

Gibson’s Perfect Setup™The Les Paul Axcess is built to the highest standards attainable in today’s market, which includes a final set-up and fret dressing by the revolutionary, computer-controlled PLEK System, which provides Gibson’s Perfect Setup™.
Hardshell Case and Certificate of Authenticity Each instrument also comes with a Gibson Custom hardshell case and certificate of authenticity. Top that off with optimum playability, maximum access and unparalleled tone and the Les Paul Axcess Standard is probably all the guitar that most players will ever need.
Additional Specifications and Appointments• One-piece mahogany neck with fast, rounded profile• 24 3/4" scale length with 1 11/16" nut width • 22-fret rosewood fingerboard• Kluson tuners• Single-ply cream binding on body top• Pearloid trapezoid fingerboard inlays• Carved maple top with nitrocellulose lacquer finish in Iced Tea Burst or Gun Metal Gray.